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Charting Abstract Trails


Each artwork highlights various aspects of my exploration in art making. The 22 artworks are selected from different exhibitions in the past couple decades, with 7 recent paintings. A range from early geometric linework and gestural mark making, to the interplay of colour, texture, and layers, ultimately transitioning to more expansive and fluid strokes. Including recent experiments in digital art with generative AR .

Themes of rhythm, pattern, light, mood, and movement will permeate the collection, inviting viewers to contemplate the underlying complexities of the chaos theory, the cyclical nature of seasons, earth’s topography, along with the elemental forces of nature. Recalling growth, as a way to evoke a sense of rewilding—the return to a natural state of being — to discover pathways along abstract trails.

In chronological order or works in similar initial style, exhibition or series.
Reflecting on the inspirations and evolution of a creative journey over the years.


Wandering Earth

Wandering Earth, 2003 | Oil on Canvas | 61 x 76 cm

Exhibition: Distractions. 2004, Emerald Hill, SG

The idea of Distractions came about in the way an artwork is created, as an explorative and reactive process. Not always starting with a fixed end in mind, letting the paint and materials be part of an expression on the surface. In the process, distractions work to inspire the painting in its direction.


Slide
Slide, 2006 | Oil on Canvas | 100 x 120 cm

Chaos into Light 2006, instinc, SG

Turning ‘chaos into light’ by continuing an interest in movement on a surface, through an exploration of colour and action in the strokes. Based on the chaos theory, that one slight change might cause a significant impact elsewhere thus the act of painting goes with layers of subtle additions that build up to form a whole. Technique Note > Use of palette knife with similar repeated marks in an all over composition.

Corn
Corn, 2007 | Oil on Canvas | 80 x 100 cm

Ex: Veneer 2007, Que Pasa, SG

Drawing inspiration from the facade of peeling paint. This veneer or overlaying of materials shape the character and sets the pervading mood. Likewise with her technique of building up layers of tonal or contrasting colours which are used to create a surface with depth and texture, movement and light.

Cold Storm, 2007

Cold Storm, 2007
White Painting series - SAM 2007 and UOB POY 2006


Driftwood Triplicities

Driftwood Triplicities - Earth, Fire, Air/Water, 2004
Acrylic on Paper Mache | 3* 16 x 105 cm
Abstract Category First Prize, 23rd UOB POY, 2004

Started to think about the Elements : Earth, Air, Wind, Water, Fire as recurring themes in painting. As a way to depict movement, within colours using feel/atmosphere.
As well as making works on Paper Mache forms


Skandi II
Skandi II, 2005 | Acrylic on Canvas | 60 x 120 cm

Geometric linework and coloured segments.
(Original Skandi ˆ from early series from 2003). The segments then opened up to 'wandering' open lines.


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Blue Grey Forest, 2005 | Oil on Canvas | 91 x 91cm
Blue Grey Forest, 2005 | Oil on Canvas | 91 x 91 cm

Moving Textures 2005,
former Wetterling Teo Gallery, SG

Textures are created when surfaces are given an added dimension; one that comes with various underlying layers, giving an object form and richness.


Blue Trails
Blue Trails, 2006 | Acrylic on Canvas | 80 x 80 cm

Parallel Journeys, 2006. Pan Pacific Hotel Singapore, Group Show

Works that play with colour and the effects of Impressionism in an abstract way.

Incidently, this was the first time I exhibited in this same Pan Pacific space with Yeo Shih Yun and Wyn Lyn Tan.

Chequered Browns

Chequered Browns, 2020 | 92 x 92 cm | Oil on Canvas

On Colours and Seasons series from 2006

After Vermont Artist Residency, 2009. Thinking about colour tones, fields and the seasons (spring, summer, autumn, winter) .


Pale Bark

Pale Bark, 2009 | Oil on Canvas | 76 x 76 cm
Elemental Shifts 2009, Substation, SG

The duality of forces and unpredictable nature of the elements are the inspiration for this series of works.

Technique: Lighter more airy shifting strokes


Airstream
Airstream, 2011 | Oil on Canvas | 50 x 150 cm
SurfaceScapes 2012, Mulan Gallery, SG

Abstract Landcapes themes after artist residency in Finland (2012) with snow
and Iceland (2010) + paper textured artworks

Air Element, Winter whites.


Adrift
Adrift, 2014 | Oil on Canvas | 122 x 91 cm
Terra Incognita 2014, Maya Gallery, SG

Visual Journeys to Unknown Lands explores the theme of getting lost, and discoveries during journeys, to unknown lands and encounters with nature.

After Chicago Ox-bow course, 2013.
Summer Colours, Air Element.
Opening up to more whitespace compositions.


Geo Sprouts

Geo Sprouts, 2022 | 91 x 45 cm | Oil on Canvas

Terra Incognita 2014, Maya Gallery, SG
Earth Element, after Geological Strata Series
Orographic Flow
Orographic Flow, 2015 | Oil on Canvas | 94 x 74 cm

Inspired by Mountain Residency, Sep 2014, Dolomites, Italy
Air Element


Cosmosis
Cosmosis, 2016 | Oil on Canvas | 77x95 cm

Liquid Textures, instinc
Air, Water Element,
(Fluid pour influence by Collaboration with Artist Hsiung Lu-Fang)

Into The Fold
Into The Fold, 2018 | Oil on Canvas | 102 x 76 cm

The initial painting "Into the Ether" was awarded the UOB POY Bronze, 2018
The fifth element - Ether.
A unique mark making stroke using a sgrafitto technique.


Contour Streams
Contour Streams, 2019 | 122 x 92 cm | Oil on Canvas

Adrift in Colour 2019, UOB Art Gallery, SG
Adrift in Colour an exploration of form and texture while reflecting on the way the elements flow around us.
Air element


Rewilding Roots
Rewilding Roots, 2022 | Oil on Canvas | 61 x 61 cm

Wild Fragments. Maya Gallery, SG, 2022
Observations of fragments of nature connect with thoughts on rewilding and growth
Earth Element

Underground
Underground, 2017 | Acrylic on Paper Mache | ~175 x 128 cm

Paintings on paper with paper mache forms - since Driftwood in 2004 eco-art and shaped surfaces
Paper Mache Series

View the image from your phone or tablet via the Artivive App AR Aerography Synergy   |   Earth Element
Aero Forms PM

Aero Forms PM Brown and Blue, 2024 | Acrylic on Paper Mache with Augmented Reality | 93 x 63 cm in frame

2020-2024 Foray into Digital Art

Aero forms combining eco-art with generated Augmented Reality
Airy organic forms bubble up in an ever changing composition. Randomised parametric shapes are generated from a base shape using curved vertices. The variations float in the canvas in an animated loop generated with a selected colour palette.

Artivive Viewer For AR Viewing

1. Install the Artivive App for an Augmented Reality experience

2. View the images from your phone or tablet via the Artivive App


Trees | Oil on Canvas | Triptych | 16x30

Trees, 2003 | Oil on Canvas | Triptych | 3* 1 6x 30"
Anthropology It's interesting this early painting has shapes which resemble forms generated in the Aero generative art series.

New / Recent Artworks


A Drifting Up

A Drifting Up, 2023 | Oil on Canvas | 180 x 90 cm

Earth, Air (Gravity) and Water


On a Breeze

On a Breeze, 2024 | Oil on Canvas | 150 x 50 cm

Air and Water Element



Blanc Trails

Blanc Trails, 2024 | Oil on Canvas | 167 x 142 cm

White Earth Strata


Neutral Blooms

Blanc Blooms, 2024 | Oil on Canvas | 70 x 150 cm
Earth Element - Rewilding


Terra Verde

Terra Verde, 2023 | Oil on Canvas | 150 x 150 cm

Earth Element - Rewilding


Aerides

Aerides, 2023 | Oil on Canvas | 122 x 158 cm

Air / Wind and Ether

For artwork enquiries please contact me.
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